Today’s Image – Montgomery trust secures shoreline
The coastal land known as the L.M. Montgomery Seashore from Cape Tryon to the New London Bay.
The sounds of snapping whips and loud cheering crowds filled the air to a full house at the Red Shores Racetrack and Casino Saturday night to end a full week of harness racing.
Today’s Image – Old Home Week Harness Racing
Crowds gather at the Charlottetown Driving Park for the 53rd edition of the Gold Cup and Saucer Race. Regardless of what you think of the sport, it continues to hold it’s popularity. At least for me, I brace myself for each and every lap praying not to witness a deadly accident.
The following are some more images from the past few years.
After several months of anticipation, I’m pleased to announce that in honour of the park’s 75th anniversary, PEI National Park, Parks and People Association and The Acorn Press released a new book this past Wednesday night to a full house at Dalvay-by-the-Sea National Historic Site — a 77 page picture-heavy book produced primarily with John Sylvester’s images from his 28 years of photographing the park.
During the creation of the book, I was approached by Parks & People and PEI National Park to participate in this anniversary publication with the inclusion of some of my own images which I easily agreed to.
Thanks to all who attended Wednesday night where both John and I were available for book signings. If I was a guessing man, I would not be surprised if we signed 100 or more books. It felt like a successful first day and I was pleasantly surprised just how many mentioned they were familiar with this website.
You can buy the book online for only $17.80 CND or pick it up at any Parks and People boutique / bookstore.
Today’s Image – Prince Edward Island National Park: Past and Present
The following text is quoted from the introduction to Prince Edward Island National Park: Past and Present.
Prince Edward Island National Park has been welcoming vistors from around the world since it was first created in 1937. From the dramatic red sandstone cliffs and spectacular beaches in Cavendish to the pristine parabolic dunes in Greenwich, this small coastal park has captiavated the hearts of all who experience its serene and tranquil beauty.
Stretching for about 40 kilometres along the north shore of Prince Edward Island between New London and Tracadie bays and taking in the tip of the Greenwich peninsula in St. Peters Bay, the Park’s dynamic coastal landscape is constantly chaning as it is shaped by wind and waves.
This book aims to capture the essence of this special place, preserved and protected for you to return to again and again..
As an additional preview, here are a few of the images found in the book.
I spend alot of time looking at maps. Either it be paper or software, I like having that overview visual of any location I’m photographing. In fact – When the software I use to keep my images organized announced all the newest and latest features – I was most excited for the ability to tag images to a digital map. Having this overview is great but seeing it for yourself is a completely different experience and what can be better then flying over Prince Edward Island in a small 4 seater Cessna?
Holding out for good weather can be frustrating but I recently took to the skies for my first flight of 2012. Here are just a few of the images created in early July 2012.
I really need to do this more often.
Today’s Image – Cape Tryon
I have talked about this lighthouse a few times in previous posts as it’s one of the most photographed and famous of the 63 lighthouses surrounding Prince Edward Island. It also happens to be declared as surplus and the risk of loosing it is very real. The land from the Cape Tryon Lighthouse (lower right) all the way to the New London Lighthouse (center top) is all part of the L.M. Montgomery Seashore.
It can be challenging at the best of times to come close enough with wildlife. There is always that dance to position yourself in the hopes you do not disturb or scare the bird into flying away. You repeat the cycle of slowing moving closer as they slowly move further away. With each step closer, you fire off a few frames just in case it’s your last.
Today’s Image – Red-winged Blackbird
This small Red-winged Blackbird was special and tolerated my presence more than usual. However, what I was not expecting, was right before I got to that “I can almost fill the frame” distance, my cell phone started to ring.
Coincidence or not and now patent pending — this little guy answered the call.
I have been enjoying printing so much with the new printer, I mentioned last week that I would mail out a free print to a random commenter on Facebook. I had a hard time selecting only 1 — so I selected 4 names from the 161 entries I received (If I could, I’d send something to everyone). After copying all the names into a spreadsheet, I asked my soon-to-be-wife across the room for 2 random numbers and then I used random.org to select two more names. The 4 recipients by random draw were Paula Hughes, Wendy Mumma, Noel Clancey and Amber Phillips. Thank you to all those that were interested.
If you would still like a print now, for the next week until May 27th 2012, I will ship any 8.5×11 print you want for a reduced introduction price of $20 (shipping and taxes included).
Visit www.stephendesroches.com/prints for complete details.
Today’s Image – Prince Edward Island Fine Art Photography Prints
All prints are created on a heavy 300+ g/m² fine art acid-free paper using the latest in Epsons Ultrachrome K3 inks. Printed on 8.5×11 sheets with large white borders, the dimensions of the image are custom to the artist and will require custom matting. To make this truly fine art, I do not want to be hand cuffed by pre-determined paper or frame sizes. 8×10 is just not acceptable for everything.
Examples on how to mat are listed here: www.stephendesroches.com/prints
Spring is well under way and with the snow and ice long gone — temperatures often still require dressing fairly warm with hats and gloves. The water is moving, shades of green are filling in and before long, summer will be here and I’ll be complaining how hot is it. ;-)
Today’s Image – Island Spring Stream
Nature at times can be quite a mess of details and colours. Here’s trying to organize and make sense of it all in a single image. There is a fair bit to absorb in this one.
Now that I’m committed financially to producing my own fine art prints (I’m giving some away via facebook btw – spread the news), I have participated in many friendly debates about the file vs the print and how several photography studios still consider the print the be all and end all of preserving memories. So many studios still refuse to sell files but those same studios may also be trashing the files after only a few years. So my question for everyone that shoots for clients, either it be portrait, commercial or weddings, if you do not offer the sale of files, do you archive them forever?
With the level of photo restoration happening today fixing water damaged or sun faded prints of grandparents at young ages – there should be no reason to have this problem with the images being made today 50 years from now. The general public is smarter and more aware of managing their digital life and unlike the negative which was also analog, a digital file is much easier to duplicate and archive properly. And also unlike a painting, the ability to reproduce more prints is an artificial limitation. With each year that passes, printing technology advances and improves. What is possible today was not possible 10 years ago and oh, how I wish I could simply reprint prints made 50 years ago.
So before you create that sales pitch for you website on why “hire a professional photographer” with the standard bullet points — are you making a long-term product or a short-term one? And if you are the client hiring a photographer, are you hiring to create a print/image for the short-term or the long-term?
Whether the business model fits it or not, digital files are here to stay but let’s not confuse this with the validity of a print. The print is still the standard for presentation and enjoyment but it is no longer the best method of archival. The print may have the most value today but the file has the most value 100 years from now.
And before you argue that files will be lost or hard drives will die — you can argue all the same points about taking proper care of prints. It only takes a single accident to destroy a piece of art. The big difference is that you can’t back up a print even if you wanted to.
Today’s Image – I’m Now Making My Own Prints
Before transitioning to photography in 2001, I grew up with pencils, brushes, inks and paints. I keep saying artist first photographer second but there is something missing if your work never makes it to paper. And since going digital, I have printed so very little. Now after all these years, I *think* my work has matured enough to be worthy of paper again.
Why have I printed so little until now? For starters, you send your file away, and a week or two later, a package shows up in the mail. To some degree, it’s not really your product at all. It’s a product of the lab created with your artwork. If there is a mistake, you reorder and wait another week. And for low volume printing — shipping is expensive. The second problem is that labs charge a very high premium for art paper which is what I’m mostly interested in.
That’s about to change because I’ve setup my own little home printing lab. It started with the use of a friends printer a couple months ago that has ultimately led to buying one of my own. Which means, reasonably priced open edition signed collectable prints on archival heavy weight papers are coming soon.
Due to the moons orbit, it’s distance from earth varies by approximately 50,000 kilometres over the course of a year. Comparing the two extremes, this difference makes the moon look 14% bigger and 30% brighter and earns the name supermoon. With super in the name, it must be fantastic! But for the most part, it is visibly not that much different than any other full moon. Especially the night before and night after. The idea of a closer moon is very cool but the media hypes it up a bit with camera trickery. Using long lenses, shooting a city a mile away to make it look smaller in relation to the moon is what we see. We are made to believe we missed this enormous moon that filled the sky. I would like to see those same shots on a regular full moon night for comparison.
Today’s Image – New London Lighthouse in French River
For much of the weekend, we had a heavy overcast on Prince Edward Island. The only view of the moon this year for me was the night before as the moon started to rise about 1 hour before sunset.