After several months of anticipation, I’m pleased to announce that in honour of the park’s 75th anniversary, PEI National Park, Parks and People Association and The Acorn Press released a new book this past Wednesday night to a full house at Dalvay-by-the-Sea National Historic Site — a 77 page picture-heavy book produced primarily with John Sylvester’s images from his 28 years of photographing the park.
During the creation of the book, I was approached by Parks & People and PEI National Park to participate in this anniversary publication with the inclusion of some of my own images which I easily agreed to.
Thanks to all who attended Wednesday night where both John and I were available for book signings. If I was a guessing man, I would not be surprised if we signed 100 or more books. It felt like a successful first day and I was pleasantly surprised just how many mentioned they were familiar with this website.
You can buy the book online for only $17.80 CND or pick it up at any Parks and People boutique / bookstore.
Today’s Image – Prince Edward Island National Park: Past and Present
The following text is quoted from the introduction to Prince Edward Island National Park: Past and Present.
Prince Edward Island National Park has been welcoming vistors from around the world since it was first created in 1937. From the dramatic red sandstone cliffs and spectacular beaches in Cavendish to the pristine parabolic dunes in Greenwich, this small coastal park has captiavated the hearts of all who experience its serene and tranquil beauty.
Stretching for about 40 kilometres along the north shore of Prince Edward Island between New London and Tracadie bays and taking in the tip of the Greenwich peninsula in St. Peters Bay, the Park’s dynamic coastal landscape is constantly chaning as it is shaped by wind and waves.
This book aims to capture the essence of this special place, preserved and protected for you to return to again and again..
As an additional preview, here are a few of the images found in the book.
I’ve been slowly reading the latest book from David duChemin since Christmas (it’s been a busy year) and he never fails with his ability to start an internal discussion to critique ones work. The message is always well beyond the many how-to step-by-step guides and much more about aesthetics. His suggestions may not have clearly defined answers but are always based on a solid foundation.
Photographically Speaking: A Deeper Look at Creating Stronger Images is the fourth book in the series following Within the Frame, Vision Mongers and Voice & Vision. This latest book is all about why a photograph was made and being able to describe in details the purpose or intent the photographer had. David challenges you to defend every element that makes up that single frame. It’s an interesting discussion and a slow read with each page making me pause to think or read again.
The readers of your photograph make an assumption. They assume that you know what you are doing, that you meant to say the things you did by including or excluding elements and making certain decisions, whether technical—that is, optics, shutter speed, and aperture—or artistic—that is, your point of view and use of perspective or your framing. The reader believes you meant to do it. So whether or not the idea of intent works for you, it is assumed by your readers. And because they believe this, all content—whether we intended it or not—has meaning.
As I continue to read through this book and think about my own work, it reinforces and reminds me of the one tool I use the most. I’ll spend a long time positioning the tripod and camera over and over making small adjustments again and again until I think I’m happy. And then I’ll adjust everything one more time. But back at home later that day, week or month when I’m looking at those 2×3 files, I’ll spend just as much time playing with the crop tool debating even more what should be removed from or aligned to the frame. It’s easily the most used tool in my workflow – everything else is secondary.
Today’s Image – Rolling Hills Near Sonora
Last fall, I spent a couple days renting a house in the hills near Sonora (N 37 56.768 W 120 23.026) and each morning I would venture out in the unfamiliar place, down the hill and work with the chaos of nature and the rising sun. It has now been several months since this day and I’ve revisited the many images from this location several times. Each time adjusting it but ultimately deciding something just wasn’t right. I’ve fussed over the small details but now believe I’m finally satisfied. So I’m not sure if it actually does work or I’ve convinced myself that it does because I so badly want it to. I can still hear that rooster.
For what feels like forever, I have listed a book on www.stephendesroches.com as coming soon and to check back in late 2011. While I did receive my artist’s proof previews, I decided to keep them for Christmas Gifts and not tell anyone. Well, by now the books have been opened which means I can now talk about it.
The following 9 photos are a preview of a trial run limited edition 12×12 160 page hard cover book. (details to order will come in a few weeks)
Today’s Image – My Prince Edward Island Book
I’m pleased with the results and will move forward with a final release after a couple edits. The images in this book are exclusively created on Prince Edward Island over the past 3 or 4 years. While I do include the locations of each image, I decided to lay this book out as a portfolio that only focuses on the images. You’ll not find any stories or additional information of each photograph.
An excerpt from the introduction:
Keeping photography fun is an exciting task. Endless resources of information and much to learn without any pressure or expectations. The idea of recording the world onto single frames is an exercise that forces a closer look at light, colors and shapes. Either it be at home on quiet Prince Edward Island or the occasional travel to much larger cities, a camera in hand has become as common as carrying identification. The desire to become better is stronger then ever but at the end of each day; it’s still all for fun.