I have been enjoying printing so much with the new printer, I mentioned last week that I would mail out a free print to a random commenter on Facebook. I had a hard time selecting only 1 — so I selected 4 names from the 161 entries I received (If I could, I’d send something to everyone). After copying all the names into a spreadsheet, I asked my soon-to-be-wife across the room for 2 random numbers and then I used random.org to select two more names. The 4 recipients by random draw were Paula Hughes, Wendy Mumma, Noel Clancey and Amber Phillips. Thank you to all those that were interested.
Lets do this again in late June but here on the blog to avoid the no contests on Facebook TOS. Subscribe to this blog by email or by rss if you would like to stay informed of future print give aways.
If you would still like a print now, for the next week until May 27th 2012, I will ship any 8.5×11 print you want for a reduced introduction price of $20(shipping and taxes included).
Today’s Image – Prince Edward Island Fine Art Photography Prints
All prints are created on a heavy 300+ g/m² fine art acid-free paper using the latest in Epsons Ultrachrome K3 inks. Printed on 8.5×11 sheets with large white borders, the dimensions of the image are custom to the artist and will require custom matting. To make this truly fine art, I do not want to be hand cuffed by pre-determined paper or frame sizes. 8×10 is just not acceptable for everything.
Spring is well under way and with the snow and ice long gone — temperatures often still require dressing fairly warm with hats and gloves. The water is moving, shades of green are filling in and before long, summer will be here and I’ll be complaining how hot is it. ;-)
Today’s Image – Island Spring Stream
Nature at times can be quite a mess of details and colours. Here’s trying to organize and make sense of it all in a single image. There is a fair bit to absorb in this one.
This past weekend, wrestlers from as far away as Ontario gathered in Charlottetown for the 2012 Canada East Wrestling Festival. Over the course of two days, several hundred matches took place and I joined Spin Photo Sports Photography and The Picture Guy as an additional shooter on the mat.
After 8 hours of not stop coverage shooting from mat level, I feel like I might have been in a match myself. This and the next 25 images are some of my favourites from what I shot on Saturday.
When I’m in Halifax, I try to stop in for a visit at the ViewPoint Gallery on Barrington — a shared street level gallery space operated by a hand selected membership. It’s kind of like an advanced photo club and part of me is slightly jealous a similar concept doesn’t exist in Charlottetown.
I was recently invited over to Truro to speak at a morning seminar to the ImageMakers Photography Club and took the opportunity to keep going into downtown Halifax to attend the opening reception of a show at ViewPoint sponsored by Atlantic Photo Supply. Photographers from around the maritimes of all skill levels showcased 155 powerful images in commercial, wedding, portrait and fine art categories. The basis of the show was to celebrate the expansion of Atlantic Photo Supply.
If you are in Halifax before June 3rd, this months display at ViewPoint is a collection of infrared images by the always popular Eric Boutilier-Brown. I’m going to miss it but was lucky enough to be in Halifax for Eric’s previous two shows Frozen Light and Symmetry in Stone. I would like to point out this one single image “The Gift” and it’s description. The photographers in the crowd will enjoy the technical specs.
Today’s Image – The Power and Importance of the Buoy
Here, I am playing in the water at North Rustico (N 46 27.362 W 63 17.408) trying to frame and illustrate the role of the red and green buoy that fishing boats must enter and exit between. On either side is shallow and lined with unforgiving rocks.
Now that I’m committed financially to producing my own fine art prints (I’m giving some away via facebook btw – spread the news), I have participated in many friendly debates about the file vs the print and how several photography studios still consider the print the be all and end all of preserving memories. So many studios still refuse to sell files but those same studios may also be trashing the files after only a few years. So my question for everyone that shoots for clients, either it be portrait, commercial or weddings, if you do not offer the sale of files, do you archive them forever?
With the level of photo restoration happening today fixing water damaged or sun faded prints of grandparents at young ages – there should be no reason to have this problem with the images being made today 50 years from now. The general public is smarter and more aware of managing their digital life and unlike the negative which was also analog, a digital file is much easier to duplicate and archive properly. And also unlike a painting, the ability to reproduce more prints is an artificial limitation. With each year that passes, printing technology advances and improves. What is possible today was not possible 10 years ago and oh, how I wish I could simply reprint prints made 50 years ago.
So before you create that sales pitch for you website on why “hire a professional photographer” with the standard bullet points — are you making a long-term product or a short-term one? And if you are the client hiring a photographer, are you hiring to create a print/image for the short-term or the long-term?
Whether the business model fits it or not, digital files are here to stay but let’s not confuse this with the validity of a print. The print is still the standard for presentation and enjoyment but it is no longer the best method of archival. The print may have the most value today but the file has the most value 100 years from now.
And before you argue that files will be lost or hard drives will die — you can argue all the same points about taking proper care of prints. It only takes a single accident to destroy a piece of art. The big difference is that you can’t back up a print even if you wanted to.
I’m Now Making My Own Prints
Before transitioning to photography in 2001, I grew up with pencils, brushes, inks and paints. I keep saying artist first photographer second but there is something missing if your work never makes it to paper. And since going digital, I have printed so very little. Now after all these years, I *think* my work has matured enough to be worthy of paper again.
Why have I printed so little until now? For starters, you send your file away, and a week or two later, a package shows up in the mail. To some degree, it’s not really your product at all. It’s a product of the lab created with your artwork. If there is a mistake, you reorder and wait another week. And for low volume printing — shipping is expensive. The second problem is that labs charge a very high premium for art paper which is what I’m mostly interested in.
That’s about to change because I’ve setup my own little home printing lab. It started with the use of a friends printer a couple months ago that has ultimately led to buying one of my own. Which means, reasonably priced open edition signed collectable prints on archival heavy weight papers are coming soon.
Due to the moons orbit, it’s distance from earth varies by approximately 50,000 kilometres over the course of a year. Comparing the two extremes, this difference makes the moon look 14% bigger and 30% brighter and earns the name supermoon. With super in the name, it must be fantastic! But for the most part, it is visibly not that much different than any other full moon. Especially the night before and night after. The idea of a closer moon is very cool but the media hypes it up a bit with camera trickery. Using long lenses, shooting a city a mile away to make it look smaller in relation to the moon is what we see. We are made to believe we missed this enormous moon that filled the sky. I would like to see those same shots on a regular full moon night for comparison.
Today’s Image – New London Lighthouse in French River
For much of the weekend, we had a heavy overcast on Prince Edward Island. The only view of the moon this year for me was the night before as the moon started to rise about 1 hour before sunset.
The day before setting day, I had an idea on where I wanted to be for the boat departures at 6am but it required hiking the 11km round trip length of the Cavendish Dunes. Along the way on this scouting adventure, one Piping Plover was spotted.
Each spring on the last day of April, all of the fishing boats from the many harbours around the coastline parade out to sea to set their traps. Here on Prince Edward Island, we were a day late due to weather but starting at 5:30am on May 1st, hundreds of boats made their way out the mouth of their harbours and awaited sunrise. At first sight of the sun at 5:58am, the boats race off to their respective territories to begin fishing season.
I routinely visit Covehead in PEI National Park and I still can’t believe how much can and has changed from year to year. What once was a sand dune, is now a clear view out to sea.
Today’s Image – New Stream at Covehead
A year ago and this stream did not exist. The lake (pond?) in the distance was not accessible and separated by a sand dune but today is part of the beach and connected to the Gulf of St. Lawrence. I do not have a great before image but if we compare it to this image of the Northern Lights looking in the opposite direction, you can get a sense of the separation. Using Google maps, we can still see at N 46 25.746 W 63 09.117 how isolated it was just last summer.